Langa jazz veteran to perform at Artscape’s 50th anniversary

During rehearsals at Artscape, Madeegha Anders in discussion with Sylvia Mdunyelwa while Zinzi Nogavu watches on.

Langa jazz veteran Sylvia Mdunyelwa returns to the stage alongside new kid on the block Zinzi Nogavu and another veteran Madeegha Anders at Artscape’s 50th celebrations on Saturday March 20.

Established as the Nico Malan Theatre in 1971, the Artscape building will be celebrating its 50th anniversary in existence with a jam-packed line-up of high-quality traditional African music, acrobatic, jazz, drama, dance, theatre entertainment and exhibitions depicting the unforgettable moments (from Nico to Artscape) throughout the year.

The festivities will kick-off on Saturday March 20, with the opening concert, directed by Basil Appollis and featuring Artscape Theatre’s associated companies (including Cape Town Opera, JazzArt, Unmute Dance Company, Cape Town City Ballet, the Cape Philharmonic Orchestra, Zip-Zap Circus) and iconic Cape Town performers such as Dizu Plaatjies, Vicky Sampson, Hilton Schilder, Zinzi Nogavu, Sylvia Mdunyelwa, Diana Ferrus, Nicola Hanekom and many others. The concert will be recorded at the Artscape Opera House in celebrating our Human Rights Day and be delivered to audiences through the Artscape YouTube channel, free of charge.

This is how it is done my daughter. Sylvia showing the younger singer Zinzi how things are done.

Thrilled to receive the invitation to perform, Mdunyelwa commended the organisers “for thinking about the veteran artists to communicate with the audience”.

“Music is the way to communicate with your audience. It is not only singing and passing a message to them. This is how we communicate and the two that I will share the stage with are well aware. They are good singers and disciplined artists,” she said.

“Artists, in fact all of us had a rough year with the pandemic closing everything down. It is now good that we are given an opportunity to perform. This will make a difference in all of us including the audience. Surely people have been longing for such activities,” she told Vukani.

Artscape CEO, Marlene le Roux said when she thinks of their building and the theme they have chosen to celebrate its golden jubilee, “yesterday, today and tomorrow”, “I am reminded that the Nico Malan just five decades ago opened its doors, excluding the largest section of the population, as if we just didn’t exist, treating us like the second-class citizens the Apartheid regime believed us to be.

“’And yet, here we are, in 2021, in all our glory, telling our stories on the very stages that were denied us when it first opened its doors. That is what this building represents: the evolution of a species, the struggles of stalwarts, the wherewithal of those that helped to bring us to this point in our history. And it is to them that we give thanks as the building turns 50,” she said.

She said celebrations will continue throughout the year with additional activities to be showcased such as Joyous Choirs (a mass choir presentation in celebration of choirs from the Western Cape Province) and an outdoor community concert to be staged on the piazza in front of the building amongst many others. The journey from Nico to Artscape will be permanently documented with virtual (audio-visual) exhibitions and tours of the building to enable and inform audiences and patrons to experience the long history of the building, icons and employees that played a part through the highs and the lows of the past 50 years.

Work done and dusted. Sylivia Mdunyelwa, Zinzi Nogavu and Madeegha Anders happy with their day’work and performance.

The theatre was named after the former National Party administrator of the Cape Province, Dr Johannes Nicholas Malan who initiated the project. It was programmed and managed by Cape Performing Arts Board (CAPAB) as a production house with four arts companies (orchestra, opera, ballet and drama) and initially opened to whites only.

This exclusionary Apartheid policy received widespread objection from several quarters and after enormous pressure, and in 1975 it became the first South African theatre that the Apartheid government, through a permit system, allowed all races into its premises, while on March 11, 1978 the then Nationalist government abolished its legislation that barred mixed race audiences in theatres and mixed race casts in productions. By 1994, the South African government policy changed dramatically and transformed all performing arts boards to playhouses.

The centre was renamed to Artscape and replaced CAPAB on March 27, 2001 and opened up all other art genres to performers and patrons from all walks of life. It currently remains as an agency of the National Department of Sport, Arts and Culture, while the building itself is the property of the Western Cape Government.